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See what others are saying about their DynaMount remote mic positioners…

Glenn Fricker of Spectre Media Group runs an X1-R through its paces.

X1-R review by UK based Doctor Mix.

James Ivey of Pro Tools Expert interviews metal producer Andy Sneap (they start talking about recording guitars & using DynaMounts at 4:22).

DynaMount products review by Trey Xavier of Gear Gods.

London-based record producer, mixer, songwriter and guitarist Sean Genockey is interviewed by James Ivey of Pro Tools Expert (they start talking about using DynaMounts at 10:50).

Wall of DynaMounts… courtesy of Chicago producer Dustin Bennett. (+700k Views!)

Kevin Antreassian of Backroom Studios and The Dillinger Escape Plan discusses guitar cab mic placement techniques and using a DynaMount. (he first mentions DynaMount at 1:33).

Demonstration of a DynaMount X1-R and Royer 122 MK II ribbon microphone in various positions on a Pedal Steel Guitar Cab. Video by Tommy Detamore at Cherry Ridge Studio in Floresville, TX.

Chris Dugan

Mixer/Engineer — Green Day, Iggy Pop, Smash Mouth

www.jtrecording.com

Chris Dugan

“Works perfectly… Everything setup and connected super fast. I used it on the whole record [Revolution Radio by Green Day]!”

Chris Dugan

Michael “Ace” Baker

FOH Engineer — Sammy Hagar, Joe Satriani

Michael 'Ace' Baker

“Guys like Joe [Satriani] have worked their entire life to get the tone that best represents what they are trying to say. The guitar in the house should sound just like the guitar coming out of his Marshall. Mic placement is the best method to capture the sweetest spot on the speaker thereby disposing of the need for radical EQ adjustments. The DynaMount V1-R enables me to get fast, accurate mic placement.”

Michael 'Ace' Baker

Joe Barresi

Producer/Mixer/Engineer — Tool, Bad Religion, Queens of the Stone Age

www.prosoundworkshop.com
www.joebarresi.com

Joe Barresi

“It’s a great invention man, it’s going to save hours of time getting a great guitar sound”

“The fact that it moves in multiple axes is incredible.”

“I think I would get a better guitar sound with one mic [and the DynaMount] at this point, as opposed to multiple mics because you can sit there and fine tune one microphone”

“If you want to get two mics in phase, this is where it really comes in handy”

Joe Barresi

Andy Sneap

Producer/Mixer/Engineer — Megadeth, Opeth, Testament

www.andysneap.com

Andy Sneap

“So easy to get tone dialed in it’s a no brainer.”

“It’s amazing. You can sit in the control room and dial the mic position in… it made such a difference.”

“It’s perfect, really.”

Andy Sneap

Fred Archambault

Producer/Engineer — Avenged Sevenfold, Atreyu

Fred Archambault

“It brings back engineering into engineering.”

“What I love about the old school guys, the big engineering legends, you hear about guys like, oh they didn’t use EQ on the record and they didn’t use compression, well that’s because they knew how to place microphones and what better tool than this to do that.”

“This is like an assistant engineer with a great attitude”

“It’s like one of those new-age studio must haves, you’re going to want this.”

Fred Archambault

Tommy Detamore

Producer/Engineer/Multi-instrumentalist — Doug Sahm, Jim Lauderdale, Augie Meyers

www.cherryridgestudio.com

Tommy Detamore

“Even though it is a decidedly unique and innovative tool, without having used a DynaMount one might have the tendency to regard it as a luxury. I’m here to tell you that after having used one, I view it as a necessity. It is without question a timesaver in the studio, but more than that, it is a device that encourages experimentation. And that can make all the difference in a production.”

Tommy Detamore

Paul Vnuk Jr.

Tech Consultant/Reviewer — Recording Magazine

Direct link to review (May, 2016)
www.recordingmag.com

Recording Magazine

“The ultimate solution for mic positioning.”

“These small adjustments can make a huge difference in sound, and I felt like I actually landed on better tones because it was so easy to further fine-tune my positioning beyond my initial setups.”

“It’s great for adding additional tonal options when layering takes as well.”

Recording Magazine

Larry Crane

Editor/Founder — Tape Op Magazine

Direct link to review (May, 2016)
tapeop.com

Larry Crane

“I’d always wanted something like this, where I could remotely move a mic from the control room while actively listening to the changes in placement for the optimal tone.”

“On several occasions I’ve blindly moved the mic around on its DynaMount via the app from the control room, and listened for the most appropriate sound. When I’ve entered the live room I’ve been surprised by some very off-axis and strange mic placements; ones that I would never have used when setting mics up visually by hand!”

“To be able to tune the sound to fit the track, in real time, is a marvel.”

“Did this help? Hell yes.”

Larry Crane

Glenn Fricker

Owner/Engineer/Producer – Spectre Sound Recording Studios

www.spectremedia.ca

Glenn Fricker

“I dialed in the best guitar sound I’ve ever got in under 5 minutes.”

“I wound up putting the mic somewhere completely different than where I would normally put it.”

Glenn Fricker

Kevin ‘131’ Gutierrez

Multi-Platinum Awarded Engineer/Producer

www.assemblylinestudios.com

Kevin Gutierrez

“This. Thing. Rules. No way I could live without one of these now.”

Kevin Gutierrez

Michael Nielsen

Composer — Ninja Tracks

ninjatracks.com

Michael Nielsen

“This must be what it was like when the first EQ’s showed up in studios.”

Michael Nielsen

Carlos Lillo

Owner/Engineer — Rimshot Estudio de Grabación

www.rimshotestudio.com

Carlos Lillo

“Just what I’ve been looking for for the last 17+ years.”

Carlos Lillo

Norus Padidar

Producer/Mixer/Engineer — Gold Star Music

www.goldstarmusic.eu

Norus Padidar

“Even after 30 years of recording experience the X1-R helps me in discovering some sweet spots I didn’t even know existed.”

Norus Padidar

Doug Smith

Owner – Interaktive Media

www.interaktivemediagroup.com

Doug Smith

“…awesome invention, it’s really allowed me to save time on stage. I can move the microphone in very small degrees… to get that really good tone, that sweet spot!”

Doug Smith

Aaron Harris

Drummer/Engineer — Palms, Isis

www.aaronharris-audio.com

Aaron Harris

“I think it’s going to be an invaluable recording tool. Especially for a guy like me who’s usually on his own. I have go-to guitar/snare mic placements that I use regularly. The DynaMount will be great for finding some new ones.”

“Saves time, better sounds…”

“It will be great on snare, overheads and kick”

Aaron Harris
Funded on Kickstarter!

Thank You!

We wanted to give a special shout-out to everyone who backed us on our Kickstarter campaign. It successfully funded in June, 2015, and we couldn’t have done this without you!

  • Jamie Schultz
  • Shari (Admagic)
  • Mark Rubel
  • Rarefied Recording
  • Garret Haines
  • Jason Suecof
  • James Castelano
  • Rob Ibsen
  • Kevin Churko
  • Dennis (Kleine Audiowelt)
  • Jason Duster
  • Luigi Chelli
  • Paul Reszczynski
  • Dustin Bennett
  • William C. Kauachi
  • Justin Green (Toy Car Studios)
  • Ben Moody
  • Leens
  • Sean McLaughlin
  • Michele Canova Iorfida
  • James Santiago
  • Nicolas Romero
  • Classic Audio Products of IL, Inc.
  • Jose Ignacio Jaras
  • Scott Wiley
  • Brent Milligan
  • Anthony Paganini
  • Chris Dugan
  • Eric Yoshino
  • Mikhail Pivovarov
  • Dan Deurloo
  • Jim Brown
  • Lee Bothwick
  • Diamond Jeff Collier
  • Unreal Studios
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  • Lucas Guterres
  • Brett Wachtel
  • Tony SanFilippo
  • Jeffrey Ratterman
  • William Jay Smith
  • Lampadinha
  • Justin Fisher
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  • Danny Dagher
  • Gary Hallesy
  • Josh & Lucy
  • Micah Meizlish (Hollow Note Studio)
  • Joel Iglesias
  • Alex Gerst
  • Michael Nielsen
  • Wes Sharon
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